The volume of individual audio clips can be adjusted right from the timeline, allowing users to balance the mix between stacked clips or drop one soundtrack out altogether. A Color panel is built in, offering 11 one-click options for primary color correction along with a reasonably broad set of controls and the ability to create your own presets. You can also drag a clip up from the timeline to pop it off of one track and add it to a new second track above. The timeline is gapless, meaning you can simply drag on transition points to shorten a clip - your timeline will collapse to close up the gap rather than leaving any empty space on that track. Simple transitions can be applied from shot to shot - right now they’re limited to cross-dissolve, dip to white and dip to black, but it seems likely that (for better or worse) wipes and other graphical options will be added in future versions. Select video clips in the order that you want them to appear in your assembly, and they will be dropped onto the timeline in that sequence. If you’re on your iPhone or iPad, this probably means selecting video from your Camera Roll folder, but you can also access assets that have been uploaded to your Creative Cloud account or Dropbox. You start working in Rush by creating a new project. But for certain jobs - particularly anything where it makes sense to capture, edit, and upload video on a mobile device rather than bringing a pro camera or PC into the equation - Rush is probably the best, fastest way to get it done. YouTubers and other social media stars who acquire video footage directly to their iPhones or iPads will likely be wowed by the combination of speed and portability.Īs for pro video editors, well, Rush isn’t going to replace the full-featured NLE, with its handy mouse-clicks, keyboard shortcuts, and creative flexibility. The only slowdown came when I exported a nine-minute video in HD, which took a little more than four minutes. It’s designed from scratch for use on smaller touchscreens, and it does the job, but I found the editing experience to be especially comfortable and speedy on my 12.9-inch iPad Pro. I test-drove Premiere Rush for a few days before the official release, and it has to be said - this is an incredibly slick and surprisingly powerful application. For now, exporting from my laptop appears to not be an option.Adobe today released Premiere Rush CC, a new cross-platform video application for iOS, Mac and Windows that’s designed to dramatically simplify the editorial process, from assembling clips into a sequence to sharing a finished video on YouTube, Facebook, Instagram, and Adobe’s own Behance. Premiere Pro wouldn't even open the project, so I'm trying the sync again (fingers crossed). Tried syncing the project and opening Rush on my laptop, which leads to a blank black screen when I try and open the project (I'm guessing these are unrelated but equally frustrating issues). Even duplicated to a new sequence to do a trial and error analysis to see if certain videos in my timeline were the issue, but the export/rendering issue still persists regardless of what's in this project. All videos are recorded on my phone in 4k (some 30fps, and some 60fps.none are cinematic mode), with some transitions, images, and sped up videos. I'm having the same issues on my iPhone 15 as well: Deleted and reinstalled the app, did a hard reset of my phone, exported in airplane mode, IOS is up-to-date, tried exporting with different framerates and resolution settings, etc.
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